Václav Neumann Mahler Symphonies Sogs 10 SACD Hybrid TOWER RECORDS

Description: Description Václav Neumann Mahler Symphonies Sogs 10 SACD Hybrid TOWER RECORDSProduct introduction A project to commemorate the 100th anniversary of Neumann's birth. A great heritage with the Czech Philharmonic, the complete set of Mahler's symphonies is set in SACD! World's first SACD except Nos. 1, 2 and 5. One of their representative recordings drawn with deep empathy and convincingness to Mahler. The latest reproduction of the Czech Philharmonic Golden Age recording with the best sound quality! The second project of the 100th anniversary of Neumann's birth. Great heritage by Wenceslas Neumann (1920-95). Inheriting the tradition of playing Mahler in the Czech Republic, it depicts the musical world of Mahler, a Bohemia, with deep empathy and persuasiveness. All songs are newly remastered this time. The beautiful Czech Philharmonic sound of the golden age is revived. The analog sound source is DSD directly from the original analog master of the home country. Digital sound sources No. 3, 8 and 9 were up-converted by our ORT mastering (see booklet for details) and converted to DSD. World's first SACD except for Nos. 1, 2 and 5. The CD sold a 14-box BOX in 2014, but this time we store 10 boxes. This complete set was recorded in 1962 by Neumann with the Czech Philharmonic, who had been the Principal Conductor since 1968, and the Spraphone completed in 6 years from 1976 to 1982. It is a compilation of 14 songs including some songs that were recorded. Up to the 4th recorded in October 1980, analog recording was performed, and after that, 3rd, 9th and 8th songs from December 1981 were recorded digitally. In addition to Neumann's previous job, the Gewandhaus Orchestra, and Mahler recorded three songs 5-7 in the 1960s, and in the last years, the Czech Phil and Canyon Classics also recorded Nos. 1-6. And I recorded seven songs of No. 9 from 1992 to a few days before he died, but it is incomplete. Neumann has played a lot of Mahler, including live performances, such as the recording of 3 types of recordings for the 5th and 6th songs. It can be said that Mahler was one of the best conductors of the same generation from the former East alongside Kubelik. Especially, it is very valuable in the sense that it is a complete recording just before the full-scale Mahler boom as a record comes, and after that the sound source that became an explosive boom after shifting from analog recording such as Tenstedt and Sinowol to digital Although the shadow was slightly faint at the time in front of, the combination of Neumann's original interpretation and Czech Philharmonic's characteristic sound of oke and suppleness created a unique Mahler image that only the two could do. As a complete recording, it is a sound source that should be evaluated more now. With this reprint, as for the analog sound source, the original analog master tape in the home country has been directly converted into a new DSD, so the freshness and overwhelming range feeling that has never existed will give you a re-experience beyond the conventional evaluation. I can do it. In addition, the 3rd songs No. 1, 2 and 5 were converted to SACD on the original 4ch in 2006, but other songs will be the first SACD. Regarding the recording condition this time, the master tape was generally in excellent condition. I am overwhelmed by the delicate presence of a Supraphone and the richness of overtones, including the feeling of a hall. The texture of each instrument also conveys the situation of the orchestra at that time. The level of the sound source this time is particularly high, and even though we have reprinted so far, this time it is the completion of analog recording, it is a product that makes us feel the power of the Suplaphone production team. In addition, although the recording location was the same and the recording time was similar except for some parts, the recording of each song was different. As a result, there were differences in perspective, balance, dynamic range, etc. of the sound image, but regarding analog recording, direct DSD conversion from the original analog master tape in the Czech home country was also done very carefully this time. And even on the recording data that arrived in Japan, detailed instructions for mastering and the characteristics of the sound source were listed. At the time of mastering this time, we are careful not to spoil the original atmosphere. As a result, we were able to reproduce an unprecedented resolution and a feeling of air. For the recording, you can enjoy the distinctive sound of the Supraphone, which has a high level of luster and warmth that is further refined, the harmonic content and the realism of the instrument have increased, and the details are clear. The sound of the Supraphone label, which is originally good in texture, is even more valuable in the latest DSD version. In addition to the unified tone of the violin part, the characteristic sounds of the wood and brass at that time are wonderful to listen to. In this project, with regard to analog recording, we used a completely new and direct DSD converted sound source from the original analog master tape owned by the Czech Republic Supraphone company, and made it a master for SACD conversion. Production. It will be released as a SACD hybrid disc after DSD mastering in Japan. Recent technological advances in digitization (A/D conversion) are remarkable, and it has become possible to extract the master sound source in a more advanced and precise manner. You can enjoy the sound quality very close to that of the master with SACD. In addition, the CD layer also used the new DSD mastering sound source this time. The direct DSD conversion using the Supraphone is as well-established as it has been so far.Because the separation and resolution are high, you can immerse yourself in music more than before due to the fine nuances and the feeling of being there. I think you can get the above impression. The effect is amazing, and the clear sound quality makes it possible to rediscover the true value of the sound source. And this time, for the first time, some of the master sound sources recorded in PCM in the early days of digital use Nippon Columbia's "ORT mastering" (This technology has already been released on distribution, but I used it on a disc in the past. (This is almost the first time because I used only a few songs from Japanese music on a non-general route). DSD conversion is performed after restoring the rich tone color and smoothness of the original tone, and the reverberation of the hall.Work informationMainConductor: Wenceslas NeumannOrchestra: Czech Philharmonic Orchestra OtherMusic: Gustav Mahler Contents Number of components | 10 ProgramGustav Mahler: Complete Symphonies, Songs1. Symphony No. 1 in D major "Giant"2. From "The Last Seven Songs"Wake up signal/Don't look into my song/I'm forgotten by this world/At midnight3. Symphony No. 2 in C Minor "Resurrection"4. Symphony No. 3 in D minor,5. Symphony No. 4 in G major6. Symphony No. 5 in C minor7. Symphony No. 6 in A Minor "Tragedy"8. Symphony No. 7 in E minor "Song of the Night"9. Symphony No. 8 in E flat major, "Symphony of Thousands"10. Symphony No. 9 in D major11. Symphony No. 10 Adagio12. A song to remember the dead child13. A song of a wandering young man14. A place where the trumpet sounds beautifully from "Children's Magic Horn" PlayingKarel Bellman (bus) (2),Gabriella Benachikova (soprano) (3,9),Eva Landvar (Alto) (3),Christa Ludwig (Alt) (4),Magdalena Hayo Shover (soprano) (5),Inga Nielsen (Soprano) (9),Daniela Shaw Nova (Soprano) (9),Vieira Soukpovar (Alto) (9,12-14),Rivsche Marlova (Alto) (9),Thomas Moser (Tenor) (9),Wolfgang Schone (Baritone) (9),Richard Novak (bus) (9)Prague Philharmonic Chorus (Chorus Conductor: Joseph Weselka) (3,4,9),Czech Philharmonic Children's Choir (Chorus Conductor: Ilzy Hvara) (4,9),Prague Radio Choir (Chorus Conductor: Milan Marie) (9)Czech Philharmonic OrchestraWenceslas Neumann (conductor) recordingNovember 1962 (12-14), February 1976 (11), February 1977 (6), October (2), January 1978 (8), April 1979 (7), October (1), June 1980 (3), October (5) and above, analog recordingDecember 1981 (4), January 1982 (10), February (9) and above, digital recordingRudolfinum, Prague MasterSUPRAPHON Shipping We will select and ship from FedEx, DHL, Japan Post. 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Price: 230 USD

Location: Ibaraki

End Time: 2024-12-02T06:02:14.000Z

Shipping Cost: 20 USD